Vera (1921) is a chilling anatomy of coercive marriage. Young Lucy Entwistle, newly bereaved, is swept into the orbit of widower Everard Wemyss and taken to The Willows, still haunted by his first wife's fatal fall. Von Arnim turns social comedy into mordant irony, using close psychological realism to show how paternal kindness becomes domination. Cool, lucid prose and claustrophobic interiors make a modern Bluebeard fable that, rooted in a postwar domestic world, anticipates Rebecca and anatomizes the rhetoric of benevolence that enables gaslighting. Better known for the lightness of Elizabeth and Her German Garden and The Enchanted April, von Arnim here draws on darker experience. Her disastrous second marriage to the controlling Frank Russell, alongside acute observation of Anglo-European society, informs Wemyss's charm as instrument of power. Writing amid postwar shifts in gender and authority, she redirects satire toward the politics of intimacy, producing a work at once personally inflected and rigorously composed. Essential for readers of feminist Gothic and psychological realism, Vera rewards scholars and general readers alike seeking an unsparing portrait of ordinary tyranny—and the unnerving spectacle of politeness made terrifying. Quickie Classics summarizes timeless works with precision, preserving the author's voice and keeping the prose clear, fast, and readable—distilled, never diluted. Enriched Edition extras: Introduction · Synopsis · Historical Context · Brief Analysis · 4 Reflection Q&As · Editorial Footnotes.